![]() The three main approaches are expressing, suppressing, and calming. People use a variety of both conscious and unconscious processes to deal with their angry feelings. On the other hand, we can’t physically lash out at every person or object that irritates or annoys us laws, social norms, and common sense place limits on how far our anger can take us. A certain amount of anger, therefore, is necessary to our survival. Anger is a natural, adaptive response to threats it inspires powerful, often aggressive, feelings and behaviors, which allow us to fight and to defend ourselves when we are attacked. The instinctive, natural way to express anger is to respond aggressively. Memories of traumatic or enraging events can also trigger angry feelings. ![]() You could be angry at a specific person (such as a coworker or supervisor) or event (a traffic jam, a canceled flight), or your anger could be caused by worrying or brooding about your personal problems. Like other emotions, it is accompanied by physiological and biological changes when you get angry, your heart rate and blood pressure go up, as do the levels of your energy hormones, adrenaline, and noradrenaline.Īnger can be caused by both external and internal events. Anger is “an emotional state that varies in intensity from mild irritation to intense fury and rage,” according to Charles Spielberger, PhD, a psychologist who specializes in the study of anger. ![]()
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![]() ![]() Sometimes an author might choose to have multiple first- person narrators, switching off between sections or chapters. I’ve written in all but second person (because it is the most rare), and they all have their pros and their cons.įIRST PERSON, of course, means a character is “telling” the story. The first thing you’re going to have to consider is whether you should write in first person, second person, third person limited, or third person omniscient POV. Because, trust me, it’s not an easy thing to fix if you get it wrong. How do you know which Point of View to use? If it’s first person, how do you pick which character tells the story? This is one of the things authors worry most about when getting started. National Emerging Writer Programme Overview. ![]() ![]() ![]() Now, sophisticated cheekiness appears to have gone mainstream. There has long been a strain of subversion in picture books - think of Maurice Sendak and Tomi Ungerer, among others - alongside the dominant anodyne snuggliness of the form. But on the evidence of a recent spate of highly self-conscious picture books, it would seem that the suspended-disbelief state of early childhood is adapting to the wink-wink, nudge-nudge sensibility of our moment. Have your kids gone meta? Do they call their neighborhood jungle gym a “play structure”? Do they mix and match their dress-up garb - a tiara here, firefighter’s boots there - with a sense of mischief that might, unnervingly, be termed “ironic”? Have they spotted the clown at the neighbor’s birthday party removing his wig and slinking out the side door? They’re probably not ready for the labyrinthine tricksterism of David Foster Wallace or Spike Jonze. ![]() |